There is something unusual about Mount Rushmore. Unlike most sculptures which look painstakingly crafted, Mount Rushmore almost seems like it formed out of the mountain naturally, and not by the work of a great sculptor. The reality is, Mount Rushmore is not only a work of art, but an engineering masterpiece.

Despite having zero artistic experience, an enormous team of gold miners managed to bring these giant heads into existence, using jackhammers, dynamite and some clever engineering. We modeled the entire thing, to show you how they mapped the design onto the mountain using ancient Greek technology, and how all of this was done without losing a single man. But in order to understand why Mount Rushmore exists in the first place, we need to go back in time.

Why Mount Rushmore?

In the early 1920’s, the state of South Dakota was just a few decades old – and with very little to offer, it was struggling to get its foot in the door. State historian Doane Robinson saw how tourists from all over the country had been flocking to a new sculpture in the state of Georgia, and this gave him an idea. He thought that a much larger and more elaborate sculpture in the black mountains of Dakota could bring in even more tourism and crucially, money from other states.

He reached out to the sculptor Gutzon Borglum, and asked if he’d like to make an enormous sculpture of America’s Wild West Heroes. Borglum was excited by the idea, but thought that more national figures like US presidents would draw more attention.

And so, in the summer of 1925, he traveled to South Dakota and came across Mount Rushmore, a 500 ft tall cliff edge made from a fine-grained granite. He fell in love instantly, and knew that this would be the perfect blank canvas for his project. 

With the mountain secured, he started studying photographs of the presidents, and put together a 1 to 12 scale model. Now, he had to figure out how he was actually going to make the real thing.

Setting up the Mountain

At the time, Mount Rushmore had nothing: no roads, no electricity and no way for workers to even climb the mountain, let alone carve a 60 ft statue. And so, in the summer of 1927, a road was built that could carry goods and people to the site. Soon after, an entire village popped up around the base of the site, with tool shops, blacksmiths and houses for the workers. An enormous staircase was built to the top of the mountain and a cable car was set up to carry tools and materials back and forth.

A winch house was also built at the top of the mountain, where operators could raise and lower the brave workers on small seats to any point on the mountain. With all of this in place, the team could finally start carving out the first head of George Washington.

Starting to carve Mount Rushmore

With the help of carefully placed dynamite, the crew started tearing off large chunks of surface rock until they had a rough egg-shaped head. The powdermen who handled the dynamite were so skilled, that only with explosives, they could get to within several inches of the desired shape. From here, it was up to the workers to carve out the face using jackhammers.

But handling these 30 kilogram jackhammers on the side of a cliff would be a huge challenge, and powering them would require more clever engineering. The jackhammers ran on compressed air, and so a building at the base of the mountain was set up to power them. It contained 3 massive air compressors that ran on electricity provided by the local gold mine.

These would run all day, compressing air into a pipe that ran for 2,000 feet, all the way up the side of the staircase and into a building at the top of the mountain. From here, up to 16 jackhammers could be connected at a time. 

To stop the jackhammers from jumping all over the rock, they developed their own techniques, sometimes installing chains to grab onto and sometimes using their own feet to guide the jackhammer into the rock. The workers became experts at operating the jackhammers, but without any artistic or sculpting experience, how did they know where to drill? 

Mapping out the design

On the Stone Mountain memorial, Borglum used a large projector to map out his design. But Mount Rushmore was much larger, and the 3D nature of the faces would make this method impossible. He had to figure out how to transfer the data from his model onto the mountain.

He took inspiration from the Greeks, who were able to make identical copies of Roman statues using a pointing machine. This was a tool that could measure specific points on a sculpture, relative to a reference point. This could then be transferred onto a different sculpture, giving the artist a guide to carve to. By doing this for thousands of points, the exact shape of the sculpture could be replicated.

This worked well for creating replicas of the same size, but in order to scale up his design, Borglum would have to get creative. He came up with his own pointing machine, which was essentially a metal arm with a weighted point at one end that could swing around a fixed axis.

By placing the weighted point somewhere on his model, he could get 3 measurements: the angle of the point, its horizontal distance and its vertical distance. By simply multiplying these 3 measurements by 12, the exact same point could be transferred onto the mountain. But for that, Borglum would need to build a much larger pointing machine on top of Mount Rushmore. And so, that’s exactly what he did. 

Using this giant machine, thousands of points could be marked directly onto the mountain, showing the workers where to drill, and exactly how deep they should drill. Borglum himself would often go up to the mountain, hang over the edge and mark these points onto the rock.

Honeycomb drilling technique

Instead of carving out the entire part, the workers would drill a series of holes close together in a honeycomb pattern. Then, using masonry tools, the rock between the holes could be hammered out. After a couple hours of solid drilling, a steel worker would come down on a harness with replacement bits to keep the workers drilling. 

The work was tough, and the men spent 8 hours a day dangling over a 500 ft cliff edge for just 50 cents an hour. To earn a bit more money, they developed a side business, selling chunks of this honeycombed rock to tourists, who began showing up at the base of the mountain.

After some negotiating, a tourist might pay up to 6 dollars for the rock, thinking it was a rare stone. Once the tourist had left, the workers would call up to the top of the mountain and ask them to send down another piece of rock.

Over the next few years, work progressed and eventually George Washington’s head was done. The cable car had been strengthened, and so now the workers didn’t need to use the enormous staircase. Borglum had assembled a well oiled team, and so he turned his attention to the finer details. 

Sculpting the eyes

One of the trickiest parts about the sculpture was the eyes. Typical Greek sculptures have perfectly smooth eyes which look flat and lifeless. To give the eyes a realistic shine, he cut out a hole in each eye that was deep enough to always be in shadow. This gave the eyes their dark look.

Then at the center of the pupil, a square section would be left uncut to give the impression of a reflection in the eye. This was an extremely risky process, since the rock could fall under its own weight at any moment. Its effect was amazing, and when viewed from far away, these square sections gave the eyes a shiny texture.

To finish off the heads, workers would do a process called bumping, which would smoothen out the surface and pulverize it, turning it into a whiter color.

The carving of Mount Rushmore went on for 14 years, but in the end, it was never quite finished. The original plan was to have each president carved down to their waist – and a secret tomb, designed with lavish decorations, had only just been started when the project came to an end.

The 2nd World War took away all of the attention and money from Mount Rushmore, and just a couple of years later, Gutzon Borglum passed away. Ultimately, Borglum and Robinson achieved their goal of putting South Dakota on the map. Over 3 million tourists visit these 4 heads every year, and it remains one of the most iconic and recognizable works of art ever created.

References

Smithsonian	https://www.smithsonianmag.com/history/the-making-of-mount-rushmore-121886182/
The Carving of Mount Rushmore (book)	https://mountrushmoresociety.com/shop/books/the-carving-of-mount-rushmore/
HMDB	https://www.hmdb.org/m.asp?m=89491
NPS	https://www.nps.gov/moru/learn/historyculture/timeline.htm
Gilderlehrman	https://www.gilderlehrman.org/sites/default/files/file_media/06031_FPS.pdf